Royal Canadian House of Cards

Proud by Michael Healey is play about Canadian politcs, and that's not the only joke

Nick Offerman: American Ham

Nick Offerman takes the stage in a one-man showcase of his abilites as a humourist. Watch it for yourself and comment if you agree or disagree with my review!

Louis C.K.

Louis C.K. is arguably the greatest living comedian. Here's why.

Late Night Comedy Round-up

Stand up is starting to be seen on television once again after a decade hiatus. Who should you be laughing at?

Thursday, November 27, 2014

Musical Comedy: The Chocolate-Covered Ribeye Steak of Art

Wait!

Come back!



I promise, this isn't going to be a list of grainy iPhone video of "this hilarious guy from Rumours" singing "Excuse me while I kiss this guy!" in a bad Hendrix impression.

Good comedy in music is a much different beast than either comedy or music.
If you're Bruce Springsteen and you don't play Born To Run in concert, the E Street Band starts getting threatening phone calls.
But people overwhelmingly don't like to hear jokes they've already heard from their favourite comedian. Sure, some great comics will end their show with a classic bit, like Jim Gaffigan's Hot Pockets, but if you saw Lewis Black and he did Old Yeller straight off the page, you'd be more pissed than Ron White.

There are a few comedians who will have a small musical part of their act, but there's usually something else going on there.

Mechanism of Comedy: People playing guitar/piano while telling short jokes


(see Dimitri Martin

People like my mom (not pictured) get really annoyed when comedians do this. Why do they?

When people who aren't Louis C.K., Jim Gaffigan, or Aziz Ansari make a stand-up special, they don't own it. They work with a production company like Comedy Central who shoots, edits, and owns it. Most of the time they edit it as close to the way it was performed as possible, but when the show is 60 minutes and they need to edit it to 47-ish minutes some stuff has to go.

Also, specials are shot over 2 performances, so in case a joke fails or something weird happens, they can get it on the next one. 

SO, when a comedian plays an instrument over a series of jokes, what they are actually doing is ensuring that those jokes are not edited out of order.
The music means that not even Michael Bay's editor could cut quickly or cleanly enough to take a joke and put it somewhere else.



Here are a few comedians you've heard of and some you almost certainly haven't who keep the bar high for musical comedians:

Tom Lehrer

He is the Mel Blanc, the Alan Turing, the Rosa Parks of comedy in music. A Harvard-trained mathmetician, Lehrer was smarter than everyone in the room with his witty, musically diverse, and his edgy-for-the-time tongue-in-cheek social commentary. 








Garfunkel and Oates (NSFW)

This duo juxtaposes their upbeat, ukelele-driven pop songs with some of the dirtiest, funniest observational humour that I've heard. WARNING: they do get pretty dirty, so tread carefully if you're easily offended.









"Weird Al" Yankovic

If Tom Lehrer is Beethoven, Weird Al is Barry Manilow. He's not for everyone, but he's remained relevant for decades and still fills stadiums with his dedicated fan base. I the grabbed newer stuff from across his 20+ year career, but I'll start with one showing the level of commitment he puts into his work, love him or hate him he is very good at what he does.







If you want more check out more musical comedians, check out Paul and Storm, Hard and Phirm, The Lonely Island, or Flight of the Conchords

Friday, November 21, 2014

Chelsea Peretti: One of the Greats


Chelsea Peretti released her brand-spankin' new comedy special "One of the Greats" last Friday and you should be watching it.

Filmed live at the Palace of Fine Arts in San Francisco, Peretti manages to turn her hour of stand-up into something much closer to a one-woman show.

One of the Greats does a few things that I've never seen in any other comedy special before. Every special will cut to the crowd between jokes for a few seconds, you know, get the audience reacting.

But in One of the Greats, 90% of the cuts to the crowd are these shots of people - still in the audience - but doing really strange things that are jokes in themselves.

A man pouring salt on a hard-boiled egg, a couple making out aggressively, a cute dog looking off-camera adorably, they are never referenced directly but it shows the amount of effort put into the production of the show.


Some comedians (like John Mulaney) take great pains to write material that is funny regardless of delivery and then tweak the delivery to get the most out of it.

There are a few comedians (Maria Bamford comes to mind) who write material that isn't necessarily funny on paper, but is so soaked in their persona and voice that it's still hilarious.

I don't want to talk to too much about the special, because I really suggest that you watch it. In place of further detail, take some .gifs of Peretti.









Friday, November 14, 2014

Royal Canadian House of Cards


I love live theatre! The immediacy. The energy. The heavy breathing of that big guy taking up the arm rest next to me. All of it.

And last night I had the chance to see Proud by Michael Healey, put on by Theatre Projects Manitoba.

It takes place in a fictional future where Stephen Harper's party has won a colossal majority government in Canada. Harper, along with his chief of staff, Cary Baines, attempt to game the system with the help of a new, feisty MP named Jisbella Lyth.


As my title suggests, this Parliamentary parody was a something of a cross between the CBC's well-regarded but mostly-forgotten Royal Canadian Air Farce and the recent Netflix political drama House of Cards.


It is NOT easy to make Canadian politics interesting. I loved Air Farce and The Rick Mercer Report but it was their chemistry and sarcasm that interested me, not the MPs or MLAs.



All that being said, Proud, was a hilarious look into the 'what-might-have-been' of Canadian politics.

The Prime Minister, imitated exceptionally by Ross McMillan, becomes a parody of himself. Over the course of the play, he reveals that he really doesn't care about the things he says he cares about. In reality, every step he's taken to getting where he is has really been about making the country just a little bit more self-sufficient.
He's the Frank Underwood in this story, without the chilling soliloquies or southern drawl. Or the handsome features. Or the intimidating thousand-yard stare.

OK, maybe he's more like like if Frank Underwood were played my Mike Meyers.



The congressional conundrum causes a catastrophe for the Conservative cabinet captain. Cue Jisbella Lyth, played to the rafters by Daria Puttaert.

She has run and won in her riding by being nothing more than a warm body, and her entrance to the play (busting into the Prime Minister's Office asking if anyone has a condom) sets her character up for the rest of the night.

Much of Proud's comedy comes from Lyth's lack of filter, her sex drive, or the combination of the two. My only real gripe with the performance was that too many of her moments were overly excited for the space she was working in. Imagine watching Chris Farley do King Lear.


“Thou shouldst not have been old till thou hadst been wise.”

I had a great experience this last summer at the Winnipeg Fringe Theatre Festival. I went to as many shows as I was able, all-in-all about a dozen.
I am always drawn to comedic plays over drama, so Proud had me a bit nervous. That being said, I think Proud did as good a job as I've seen balancing the "drama" of the political backdrop, with the absurdity of the personalities involved in the plot.

I can't say this play had any sort of profound impact on me. It was certainly a fun look at a form of politics that I'm sure don't make up a huge percentage of the real life political landscape.

Something that added to my experience was the talkback session after. The director and actors hung out for 20 minutes and answered questions from the audience. Being a huge comedy nerd, it was a nice change to hear the actors discuss mechanics of dramatic acting opposed to comedic performance.

If for some reason I wanted to sum up all my feelings about the night in one concise .gif it would be:



Friday, November 7, 2014

Books! (They're Not Just For Nerds Anymore)




It has become a popular trend in recent years for comedians to write memoirs. I love reading a comedian's memoirs! I like to know the details of their lives, how they were shaped into who they are, how they got their break etc. 
Today is another compact post all about some great books by great comedians you should check out.


Bossypants by Tina Fey (or as I hastily typed it into Amazon, "boosyplants")






Born Standing Up: A Comic's Life by Steve Martin
(I would highly recommend the audiobook version of this, as Steve narrates it himself)



Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living by Nick Offerman



Not That Kind of Girl: A Young Woman Tells You What She's "Learned" by Lena Dunham
(don't concern yourself with the fake controversy that some bloggers tried to start about it, Dunham has blasted away roadblocks for women in comedy)




Is Everyone Hanging Out Without Me? (And Other Concerns) by Mindy Kaling


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